The album's title was originally planned to be Latinna, and it also includes promotional singles intended for the cancelled extended play (EP) Summer Days. Inna and Body and the Sun were supported by several concert tours in Europe and Japan. Seven singles have also been released to aid the record, of which "Cola Song" (2014) was successful in Europe and was certified Platinum in Spain and "Diggy Down" (2014) marked Inna's third number one hit in Romania. Commercially, Inna only reached minor success on record charts, peaking at number 157 in Japan and at position 45 in Mexico. (Full article...)
Sigismund Báthory (Hungarian: Báthory Zsigmond; 1573 – 27 March 1613) was Prince of Transylvania several times between 1586 and 1602, and Duke of Racibórz and Opole in Silesia in 1598. His father, Christopher Báthory, ruled Transylvania as voivode (or deputy) of the absent prince, Stephen Báthory. Sigismund was still a child when the Diet of Transylvania elected him voivode at his dying father's request in 1581. Initially, regency councils administered Transylvania on his behalf, but Stephen Báthory made János Ghyczy the sole regent in 1585. Sigismund adopted the title of prince after Stephen Báthory died.
The Diet proclaimed Sigismund to be of age in 1588, but only after he agreed to expel the Jesuits. Pope Sixtus Vexcommunicated him, but the ban was lifted in 1590, and the Jesuits returned a year later. His blatant favoritism towards the Catholics made him unpopular among his Protestant subjects. He decided to join the Holy League against the Ottoman Empire. Since he could not convince the Diet to support his plan, he renounced the throne in July 1594, but the commanders of the army convinced him to revoke his abdication. At their proposal, he purged the noblemen who opposed the war against the Ottomans. He officially joined the Holy League and married Maria Christina of Habsburg, a niece of the Holy Roman Emperor, Rudolph II. The marriage was never consummated. (Full article...)
Mitică (Romanian pronunciation:[miˈtikə]) is a fictional character who appears in several sketch stories by Romanian writer Ion Luca Caragiale. The character's name is a common hypocoristic form of Dumitru or Dimitrie (Romanian for Demetrius). He is one of the best-known figures in Caragiale's 1901 collection Momente şi schiţe, as well as in Romanian humor at large. Mitică is a male resident of Bucharest whose background and status are not always clear, generally seen as an allegory of the average Bucharester or through extension, inhabitants of Romania's southern regions—Wallachia and Muntenia. According to accounts, he was based on a resident of Sinaia, whom Caragiale had befriended.
Caragiale used Mitică as a stock character to feature in satirical contexts; the biographical insights he provided are short and often contradict each other. Among Mitică's traits are his tendency to generate sarcastic comebacks and sententious catchphrases, a Francized speech, as well as inclinations to waste time and easily find his way out of problematic situations. His existence is connected to events in the history of Bucharest which he occasionally references in his jokes. Like Lache and Mache, who are present in Caragiale's fiction, the character is usually portrayed as a civil servant who has a hard time making ends meet, but who is well liked by his peers. (Full article...)
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The Battle With Torches by Romanian painter Theodor Aman (1866)
The night attack at Târgoviște (Romanian: Atacul de noapte de la Târgoviște) was a battle fought between forces of Prince Vlad III of Wallachia, and Sultan Mehmed II of the Ottoman Empire on Thursday, 17 June 1462. The battle started after Mehmed II, who already had tense relations with Vlad, discovered his alliance with Hungary's king Matthias Corvinus and ordered his forces to ambush him. Vlad foiled the attack and invaded Bulgaria. In response, Mehmed raised a great army with the objective to conquer Wallachia. The two leaders fought a series of skirmishes, the most notable one being the conflict where Vlad attacked the Turkish camp in the night in an attempt to kill Mehmed. The assassination attempt failed and Mehmed marched to the Wallachian capital of Târgoviște, where he found a few men with cannons. After leaving the capital, Mehmed discovered 23,844 impaled Turks whom Vlad had killed during his invasion of Bulgaria. The number is mentioned by Vlad himself in a letter to Matthias Corvinus. The sultan and his troops then sailed to Brăila and burned it to the ground before retreating to Adrianople. Mehmed's forces returned home with many captured slaves, horses, and cattle. (Full article...)
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"Change" is a song recorded by Romanian group Hotel FM, released as a CD single in 2011 by Romanian Television (TVR). It was written by Alexandra Ivan and Gabriel Băruţă, while production was solely handled by the latter. An uptempopop ballad containing drums, piano and violins in its instrumentation, the lyrics talk about making a positive change in the world and one's life. A reviewer compared "Change" to the music of English group Take That and singer Sean Maguire.
The track represented Romania in the 2011 Eurovision Song Contest in Düsseldorf, Germany after winning the pre-selection show Selecția Națională. Hotel FM eventually came 17th in the contest's Grand Final, gathering a total of 77 points. During their performance, the group was joined by two female background dancers, while the LED screen showed pulsating circles and ovals. Music critics gave mixed reviews of "Change", praising its instrumentation, but criticising the song as "unspectacular" and "cheesy". The track was promoted by endeavours in several European countries, as well as by the release of an accompanying music video produced by TVR and Schneider Production. Uploaded onto YouTube on 18 March 2011, the visual features shots of various Romanian tourist attractions. (Full article...)
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Panait Cerna (Romanian pronunciation:[panaˈitˈt͡ʃerna]; Bulgarian: Панайот Черна, Panayot Cherna, born Panayot Stanchov or Panait Staciov; August 26 or September 25, 1881 – March 26, 1913) was a Romanian poet, philosopher, literary critic and translator. A native speaker of Bulgarian, Cerna nonetheless wrote in Romanian, and developed a traditionalist style which was connected with classicism and neoclassicism. Praised by the conservative literary society Junimea, he was promoted by its leader Titu Maiorescu, as well as by Maiorescu's disciples Mihail Dragomirescu and Simion Mehedinţi. Cerna became the group's main representative during its decline, contributing to both major Junimist magazines, Convorbiri Literare and Convorbiri Critice. He also contributed pieces to the traditionalist magazine Sămănătorul, and was briefly affiliated with other literary journals.
The Kingdom of Hungary (Latin: Regnum Hungariae, Hungarian: Magyar Királyság) came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture, religion, and state matters was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.
Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects. (Full article...)
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Left humerus of the holotype specimen in ventral (A) and distal (B) view
Hatzegopteryx ("Hațeg basin wing") is a genus of azhdarchidpterosaur found in the late Maastrichtian deposits of the Densuş Ciula Formation, an outcropping in Transylvania, Romania. It is known only from the type species, Hatzegopteryx thambema, named by Buffetaut et al. in 2002 based on parts of the skull and humerus. Additional specimens, including a neck vertebra, were later placed in the genus, representing a range of sizes. The largest of these remains indicate it was among the biggest pterosaurs, with an estimated wingspan of 10 to 12 metres (33 to 39ft).
Unusually among giant azhdarchids, Hatzegopteryx had a very wide skull bearing large muscular attachments, bones with a spongy internal texture instead of being hollow, and a short, robust, and heavily muscled neck measuring 1.5 metres (5ft) long, which was about half the length of other azhdarchids with comparable wingspans and was capable of withstanding strong bending forces. Hatzegopteryx inhabited Hațeg Island, an island situated in the Cretaceous subtropics within the prehistoric Tethys Sea. In the absence of large theropods, Hatzegopteryx was likely the apex predator of Hațeg Island, tackling proportionally larger prey (including dwarf titanosaurs and iguanodontians) than other azhdarchids. (Full article...)
They had wide-ranging administrative, military and judicial powers, but their jurisdiction never covered the whole province. The Saxon and Székely communities–organized into their own districts or "seats" from the 13thcentury–were independent of the voivodes. The kings also exempted some Transylvanian towns and villages from their authority over the centuries. Even so, the Voivodeship of Transylvania "was the largest single administrative entity" in the entire kingdom in the 15thcentury. Voivodes enjoyed income from the royal estates attached to their office, but the right to "grant lands, collect taxes and tolls, or coin money" was reserved for the monarchs. Although Roland Borsa, Ladislaus Kán and some other voivodes rebelled against the sovereign, most remained faithful royal officials. (Full article...)
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The Middle Ages in Romania began shortly after the withdrawal of the Roman legions from the former Romanprovince of Dacia in the late 3rd century and with the start of the Early Middle Ages and the Migration Period that followed afterwards respectively. It subsequently came to an end with the reign of DomnMichael the Brave (1593–1601) who managed, for a short time between 1599 and 1600, to rule Wallachia, Moldavia, and Transylvania together, the three principalities whose territories were to be united some three centuries later to form modern and contemporary Romania.
Over most of this period, Banat, Crișana, Maramureș, and Transylvania –now regions in Romania to the west of the Carpathian Mountains– were part of the Kingdom of Hungary. They were divided into several types of administrative units, such as "counties" and "seats". The heads of the Transylvanian counties or "counts" were subordinated to a special royal official called voivode, but the province was seldom treated as a single unit, since the Székely and Saxon seats were administered separately. In the kingdom, Romanian peasants, being Orthodox, were exempt from the tithe, an ecclesiastical tax payable by all Roman Catholic commoners. However, Romanian noblemen slowly lost the ability to participate in political life, as the 14th-century monarchs pursued a zealous pro-Catholic policy. Their position became even worse after 1437 when the so-called "Union of Three Nations", an alliance of the Hungarian noblemen, the Székelys, and the Saxons, was formed in order to crush the Bobâlna peasant uprising. (Full article...)
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Romania participated in the Eurovision Song Contest 2008 in Belgrade, Serbia. They selected their entry, "Pe-o margine de lume" (English: "On an edge of the world"), by Romanian singers Nico and Vlad through the national selection competition Selecția Națională 2008 in February 2008. Controversy surrounded the event, as the organising broadcaster, Romanian Television (TVR), was accused of conspiracy, and the song reviewed for plagiarism. Prior to the 2008 contest, Romania had participated in the Eurovision Song Contest ten times since its first entry in 1994. Its highest placing in the contest had been third place, which the nation achieved in 2005. In 2007, Romania finished in 13th place.
Prior to Eurovision, "Pe-o margine de lume" was promoted by a music video and live performances in Greece, Moldova, Ukraine, the United Kingdom, Belgium, Spain and Cyprus. Romania qualified in seventh place from the contest's first semi-final on 20 May and ultimately finished in 20th place in the Grand Final on 24 May, achieving 45 points. This remains one of the country's lowest Eurovision placements. Nico and Vlad were accompanied by three backing vocalists and a piano player during their performance, and sang in front of a dark-coloured LED screen. Among other accolades, "Pe-o margine de lume" won a Marcel Bezençon award in the composers' category. (Full article...)
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"Cliché (Hush Hush)" is a song recorded by Romanian recording artist Alexandra Stan for her Japan-only reissue of the same name (2013). Written and produced by Marcel Prodan and Andrei Nemirschi, it was first released for digital download on 3 October 2012 in Romania through MediaPro. Described as a dance-pop track that features eurodance elements into its sound, "Cliché (Hush Hush)" discusses different themes of love. An accompanying music video for the single was posted onto YouTube on 27 September 2012, being filmed by Iulian Moga at Palatul Snagov. It was generally praised by music critics, with Los 40 Principales citing it under their list of Stan's best clips. Particularly, a scene of the video was compared to vampire movies for teenagers, while another one to 1970s film works. The track peaked at number 91 in native Romania, as well as at numbers 11 and 28 in Japan and Italy, respectively. It was promoted by several live performances, including a tour throughout the United States and an appearance at French music event Starlooor 2012. (Full article...)
Volcanic activity at Ciomadul commenced with effusive activity about one million years ago. Most of the volcano was constructed between 650,000 – 500,000 years ago. (Full article...)
Tchinarova in the ballet Les Presages, Sydney, between 6 Dec. 1936 & Jan. 1939
Tamara Tchinarova (tr. Chinarova, Russian: Тамара Чинарова), also known as Tamara Finch, (18 July 1919 – 31 August 2017) was a Romanian-born émigré Russian and French ballerina who contributed significantly to the development of Australian dance companies and was a Russian/English interpreter for touring ballet companies. She was a dance writer and author, as Tamara Finch, of a number of non-fiction books. She was the first wife of actor Peter Finch. (Full article...)
Bran Castle is situated near Bran and in the immediate vicinity of Brașov, is a national monument and landmark in Romania, and is commonly known outside Romania as Dracula's Castle.
... that Soviet politician Pavel Chioru wanted "Moldovan", which he developed from a dialect of Romanian, to serve as a language of the "exploited" against the supposedly upper-class Romanian?
... that Romanian adventure novelist N.D. Popescu-Popnedea "generate[d] laughter" with his deposition at a political assassin's trial?
... that Romanian-born Helen O'Brien escaped advancing Russians on the King's horse, opened Eve, and worked as a spy for MI5 and MI6?
Image 13Romania has seen its largest waves of protests against judicial reform ordinances of the PSD-ALDE coalition during the 2017–2019 Romanian protests. (from History of Romania)
Image 22Ethnic map of Greater Romania according to the 1930 census. Sizeable ethnic minorities put Romania at odds with Hungary, Bulgaria, and the Soviet Union throughout the interwar period. (from History of Romania)
Image 23One of the greatest existence of Dacia (from History of Romania)
Image 46The Principalities of Moldavia and Wallachia in 1786, Italian map by G. Pittori, since the geographer Giovanni Antonio Rizzi Zannoni (from History of Romania)
Image 611941 stamp depicting a Romanian and a German soldier in reference to the two countries' common participation in Operation Barbarossa. The text below reads the holy war against Bolshevism. (from History of Romania)
Image 81Lieutenant Emil Rebreanu was awarded the Medal for Bravery in gold, the highest military award given by the Austrian command to an ethnic Romanian; he would later be hanged for desertion while trying to escape to Romania. (from History of Romania)
Image 82Romania after the territorial losses of 1940. The recovery of Bessarabia and Northern Bukovina was the catalyst for Romania's entry into the war on Germany's side. (from History of Romania)
Image 91The map that shows the Dacian invasion of Boii and Taurisci (from History of Romania)
Image 92Bran Castle (German: Törzburg, Hungarian: Törcsvár) built in 1212, is commonly known as Dracula's Castle and is situated in the centre of present-day Romania. In addition to its unique architecture, the castle is famous because of persistent myths that it was once the home of Vlad III Dracula. (from History of Romania)
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