Bullitt
1968 film by Peter Yates / From Wikipedia, the free encyclopedia
Dear Wikiwand AI, let's keep it short by simply answering these key questions:
Can you list the top facts and stats about Bullitt?
Summarize this article for a 10 year old
Bullitt is a 1968 American neo-noir action thriller film[4] directed by Peter Yates and produced by Philip D'Antoni. The picture stars Steve McQueen as the title character, San Francisco police detective Frank Bullitt, who pursues a group of mobsters after they kill the witness he's been assigned to protect. The cast also features Robert Vaughn, Jacqueline Bisset, Don Gordon, Robert Duvall, Simon Oakland and Norman Fell.[5] The screenplay by Alan R. Trustman and Harry Kleiner was based on the 1963 novel Mute Witness[6][7][8][9] by Robert L. Fish, under the pseudonym Robert L. Pike.[10][11] The film was made by McQueen's Solar Productions company, with his partner Robert Relyea as executive producer. Lalo Schifrin wrote the original jazz-inspired score.
Bullitt | |
---|---|
Directed by | Peter Yates |
Screenplay by | |
Based on | Mute Witness by Robert L. Fish |
Produced by | Philip D'Antoni |
Starring | |
Cinematography | William A. Fraker |
Edited by | Frank P. Keller |
Music by | Lalo Schifrin |
Production company | |
Distributed by | Warner Bros.-Seven Arts |
Release date |
|
Running time | 113 minutes |
Country | United States |
Language | English |
Budget | $4 million[2] |
Box office | $42.3 million (~$283 million in 2023)[3] |
Released by Warner Bros.-Seven Arts on October 17, 1968, the film was a critical and box-office success, later winning the Academy Award for Best Film Editing (Frank P. Keller) and receiving a nomination for Best Sound. Writers Trustman and Kleiner won a 1969 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay. Bullitt is famous for its car chase scene through the streets of San Francisco, which is regarded as one of the most influential in film history.[12][13][14][15]
In 2007, Bullitt was selected for preservation in the United States National Film Registry by the Library of Congress, as "culturally, historically, or aesthetically significant".[16][17]