File:Amalia_de_Llano_y_Dotres,_condesa_de_Vilches_(Federico_de_Madrazo).jpg
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Summary
Federico de Madrazo y Kuntz: Amalia de Llano y Dotres, Countess of Vilches | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q1345186 |
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Title |
Español: Amalia de Llano y Dotres, condesa de Vilches English: Amalia de Llano, a Spanish countess and author |
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Object type | painting | |||||||||||||||||||||||
Genre | portrait | |||||||||||||||||||||||
Description |
Español: Obra cumbre de la retratística romántica española y el más atractivo de los retratos femeninos de su autor, es, sin duda, la obra más emblemática de las colecciones del siglo XIX del Museo del Prado. Madrazo alcanza en esta efigie la conjunción perfecta de todos los recursos plásticos alcanzados en su producción madura, alcanzando en esta ocasión su refinamiento más esmerado, al servicio de una de las mujeres más hermosas y encantadoras del Madrid isabelino. Interpreta el retrato con un marcado aire francés, muy adecuado a la elegancia de la modelo, aprendido durante su formación en París junto a Ingres. La pose de la dama consigue transmitir una sensualidad bien ajena a la tradición española. La pose coqueta de la modelo es, sin embrago, estudiadamente informal, lo que sirve al artista para conceder a la obra un grácil movimiento. La iluminación empleada por Madrazo hace que la blancura de las carnaciones femeninas destaquen contra la acusada oscuridad del fondo, a la vez que acentúa la sensación cromática. La sutileza de ciertos gestos de la modelo, como la delicadeza con que sostiene el abanico, el contacto casi imperceptible de sus dedos con el óvalo facial o la dulcísima sonrisa, replicada por su seductora mirada, suponen el culmen de los aciertos de este soberbio retrato (Texto extractado de Díez, J. L. en: El siglo XIX en el Prado, Museo Nacional del Prado, 2007, pp. 172-175). English: As a masterpiece of Spanish romantic portraits and the most attractive female portraits of the artist, it is undoubtedly the most emblematic work of the collections of the 19th century the Prado. Madrazo reached in this work the pinnacle of his mature production, this time with its painstaking refinement, serving one of the most beautiful and charming women of Madrid during the reign of Isabell II of Spain (1833-1868). The portrait has been created with a distinctly French air, well suited to the elegance of the model, that Madrazo learned during his training in Paris with Ingres. The pose of the lady conveys inspiration outside of the Spanish tradition. The coquettish pose of the model is nevertheless studiously casual, which serves to give the work a graceful movement. The lighting used by Madrazo makes the whiteness of female skin tones stand out against the dark background, while accentuating the color. The subtlety of certain gestures of the model, as the delicacy of holding the fan, the almost imperceptible touch of her fingers with her oval face or the sweet smile, echoed by her seductive look, all serves to show the magnificence of this portrait. |
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Depicted people | Amalia de Llano | |||||||||||||||||||||||
Date |
1853 date QS:P571,+1853-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 126 cm (49.6 in); width: 89 cm (35 in) dimensions QS:P2048,126U174728 dimensions QS:P2049,89U174728 |
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Collection |
institution QS:P195,Q160112 |
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Current location |
Madrid |
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Accession number |
P02878 |
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References | ||||||||||||||||||||||||
Source/Photographer | Galería online, Museo del Prado. | |||||||||||||||||||||||
Other versions |
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Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Public domainPublic domainfalsefalse |
The author died in 1894, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Items portrayed in this file
depicts
image/jpeg
c39b3bc61d03bdbacef6dd7e6076c554ce3cb4c6
5,751,911 byte
2,953 pixel
2,043 pixel
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 10:32, 10 November 2015 | 2,043 × 2,953 (5.49 MB) | Alonso de Mendoza | Mejor colorido, versión actual del Prado | |
21:05, 6 February 2011 | 2,134 × 3,051 (5.43 MB) | Outisnn | {{Information |Description ={{es|1="Amalia de Llano y Dotres, condesa de Vilches", Federico de Madrazo, Museo del Prado, Madrid, España.}} {{en|1="Amalia de Llano y Dotres, Countess of Vilches", Federico de Madrazo, Prado Museum, Madrid, Spain.}} |Sou |
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- 1850s in Western fashion
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- User:Niketto sr./List of works by Federico de Madrazo y Kuntz
- User talk:EtienneDolet/Archive 9
- Wikipedia:Featured picture candidates/Amalia de Llano y Dotres
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- Wikipedia:Wikipedia Signpost/Single/2016-12-22
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- Wikidata:WikiProject sum of all paintings/Collection/Museo del Prado/P002000 to P002999
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- Wikidata:WikiProject sum of all paintings/Catalog/Inv. Nuevas Adquisiciones (iniciado en 1856)
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
Image title |
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Camera manufacturer | Hasselblad |
Camera model | Hasselblad H3D-39 |
Exposure time | 372,827/33,554,432 sec (0.011111110448837) |
F-number | f/9.5 |
ISO speed rating | 50 |
Date and time of data generation | 11:50, 14 September 2009 |
Lens focal length | 210 mm |
Short title |
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Usage terms |
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Width | 4,784 px |
Height | 6,841 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Windows |
File change date and time | 11:38, 31 January 2013 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 11:50, 14 September 2009 |
Shutter speed | 6.4918530955911 |
APEX aperture | 6.4958550259471 |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | Uncalibrated |
Date metadata was last modified | 12:38, 31 January 2013 |
Copyright status | Copyright status not set |
Unique ID of original document | uuid:3487FB34EEA1DE11A574F5A095AE0A92 |
Contact information | jose.baztan@museodelprado.es
Ruiz de Alarcón 23 , Madrid, 28014 España |
IIM version | 2 |