Lêer:L'Apôtre_Paul_à_sa_table_de_travail.jpg
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Oorspronklike lêer (854 × 1 019 piksels, lêergrootte: 142 KG, MIME-tipe: image/jpeg)
Hierdie lêer kom vanaf Wikimedia Commons en kan ook in ander projekte gebruik word. Die beskrywing op die lêer se inligtingsblad word hieronder weergegee.
Opsomming
Rembrandt van Rijn: The Apostle Paul in Contemplation | ||||||||||||||||||||||||||||
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Kunstenaar/Skepper |
artist QS:P170,Q5598 |
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Titel | ||||||||||||||||||||||||||||
Object type | Skildery | |||||||||||||||||||||||||||
Genre | portrait | |||||||||||||||||||||||||||
Depicted people | Paulus van Tarsus | |||||||||||||||||||||||||||
Datum |
1629 - 1630 date QS:P571,+1650-00-00T00:00:00Z/7,P1319,+1629-00-00T00:00:00Z/9,P1326,+1630-00-00T00:00:00Z/9 |
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Tegniek | olieverf op eikenhouten paneel | |||||||||||||||||||||||||||
Dimensies |
Hoogte: 47,2 cm; breedte: 38,6 cm dimensions QS:P2048,47.2U174728 dimensions QS:P2049,38.6U174728 |
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Versameling |
institution QS:P195,Q478695 |
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Inventarisnommer |
Gm 392 |
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Place of creation | Leiden | |||||||||||||||||||||||||||
Herkoms |
from 1890 date QS:P,+1890-00-00T00:00:00Z/7,P580,+1890-00-00T00:00:00Z/9 : Germanisches Nationalmuseum, Neurenberg |
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Exhibition history |
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 Mei 1956–5 Augustus 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 Augustus 1956–21 Oktober 1956, OCLC 15659340, kat. nr. 9. |
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Verwysings |
RKDimages, Art-work number 59098, as De apostel Paulus aan zijn schrijftafel, 1629/1630, Hoogte: 47,2 cm; breedte: 38,6 cm dimensions QS:P2048,47.2U174728 dimensions QS:P2049,38.6U174728
Bildindex der Kunst und Architektur, object 00021965, as Der heilige Paulus in Nachdenken versunken, Hoogte: 47 cm; breedte: 39 cmdimensions QS:P2048,47U174728 dimensions QS:P2049,39U174728 Web Gallery of Art, as St Paul at his Writing-Desk, 1629-30, Hoogte: 47 cm; breedte: 39 cm dimensions QS:P2048,47U174728 dimensions QS:P2049,39U174728 . |
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Bron/Fotograaf |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/r/rembran/painting/biblic1/st_paul.html" |
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Ander weergawes |
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Lisensiëring
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Items portrayed in this file
uitbeelding
Lêergeskiedenis
Klik op die datum/tyd om te sien hoe die lêer destyds gelyk het.
Datum/Tyd | Duimnael | Dimensies | Gebruiker | Opmerking | |
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huidig | 15:19, 28 April 2005 | 854 × 1 019 (142 KG) | Johann~commonswiki | {{PD}} category:Rembrandt |
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Metadata
Die lêer bevat aanvullende inligting wat moontlik deur 'n digitale kamera of skandeerder bygevoeg is.
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Opmerking in JPEG-lêer | REMBRANDT Harmenszoon van Rijn
(b. 1606, Leiden, d. 1669, Amsterdam) St Paul at his Writing-Desk 1629-30 Oil on wood, 47 x 39 cm Germanisches Nationalmuseum, Nuremberg In this painting the light and shadow are closely interwoven. A fluctuation from the one to the other takes place, producing a tenebrous atmosphere, full of mysterious effect. But more than this is achieved: by the fluctuating light the figure is expressly connected with the surrounding space, and the space itself is drawn into the representation. It becomes a vibrant, living medium. Space and figure in Rembrandt's art now share one inseparable existence and are equally expressive. At this point of his development Rembrandt was already able to use chiaroscuro to give the atmosphere both a visual and a spiritual meaning. Throughout his career, chiaroscuro remained his most powerful means of expression. Of course, there are other important features of his art: his colouristic treatment, his compositional devices; but in a way they are all subordinated to, or in any case co-ordinated with, his chiaroscuro.
Author: REMBRANDT Harmenszoon van Rijn Title: St Paul at his Writing-Desk Time-line: 1601-1650 School: Dutch Form: painting Type: religious |
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